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Rebecca Hussey's avatar

This Little Art, p. 207-211: I appreciate Briggs's recognition of the power a translator has , particularly when translating into English -- how it's possible to do violence to the original writing. And how it's possible to learn nothing from translation work, to remain unchanged and unmoved. But also, that translation is a chance of "being taught by the other's writing," to become a different reader. I like her parenthetical question, "is it useful to think of these activities in terms of progress?" I DO tend to think in terms of progress, but what goal am I working toward? As she says, the phrase "thorough-going mastery" is unrecognizable. How do you measure that? And I LOVE her question, "when could anyone, any reader or writer, consider themselves adequately pre-qualified to undertake the translation of, say, a 730-page novel set in a sanatorium?" At some point, we have to just begin? So why not begin now, where we are?

Rebecca Hussey's avatar

TLA, p. 240-247: I really love this discussion of time and value and why people translate and what they get out of it. Because it really makes no sense, from a capitalist perspective, to be a translator, and I do a lot of things that make no sense from that perspective as well -- writing reviews, making podcasts, researching books, doing reading projects like this one. I love the line, "which suggests to me there's something resistant in this: about undertaking a project - a great life-structuring and long-time-consuming collaborative project - whose returns are precisely so unimmediate, so precarious and so indirect." Something resistant indeed! I get great pleasure out of the extremely low-paid or entirely volunteer bookish projects I do, and it suits my nature perfectly that there's an element of resistance to this (as well as privilege -- I am comfortable enough financially to be able to spend time on volunteer pursuits).

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